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For years I’ve been told to sketch, wherever you go make sure you have a sketchbook with you, but it didn’t actually click with me until I spent a week in Scotland a couple of years ago when I went specifically to ‘sketch’.
Painting was becoming a serious thing for me and I wanted inspiration and boy, did I get it! I had a rough idea where I wanted to go, so I pointed the car and went and spent the week in and around Argyll and the Isle of Bute. With every turn, there was something different to paint and so once I arrived, I didn’t actually cover a huge distance but filled a whole sketchbook.
I gathered enough information to develop a series of paintings both in terms of detail and colour. That week away gave me six months worth of work and still now, I go back to my sketches and I’m able to suggest new approaches to old subject matter.
Building a library of sketchbooks helps to bring back memories – it isn’t like a photograph, I can remember what temperature it was, which direction the wind was blowing, how warm the sun was. I always take photographs as a back-up, to check details which I may have missed or not had time to note down.
I limit the amount of time I spend on a sketch – between 10 and 20 minutes. This creates a fresh, spontaneous approach, although at the end of the day when I look back at the days’ work, I will often add small details or highlights in pastel.
Back in my studio, I spend time going through my sketchbooks and back-up photos and work on compositional studies – simple line drawings and colour swatches. I use my sketches as a starting point only, rarely staying true to the subject, simplifying and stretching the initial idea. I find it helps me to design and use my imagination, rather than just copying what is there and worrying about what is not.
Sketching is essential... in my opinion, I take a sketchbook wherever I travel now and it is a huge source of inspiration. I can’t imagine how it must feel to ‘wonder what to paint’... my advice to any budding artists is get out there, have fun and create! |
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| Garryhorn Burn, Dumphries & Galloway, April 2002 |
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Pink Heather, Argyll, April 2002 |
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| Tighnabruiach, Argyll, April 2002 |
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Gentleshaw Common, on the edge of Cannock Chase, 2003 |
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Croft on the Isle of Bute, storm brewing,
April 2002 |
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Chateau de Bannes, The Dordogne,
June 2006 |
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| Betws-y-Coed, North Wales, October 2006 |
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| Dolwyddelan, Snowdonia, October 2006 |
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Path and woodland leading from Fairy Glen, North Wales, October 2006 |
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| Fiscardo, Kefalonia in Greece, July 2005 |
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| Sennen Cove, Cornwall, October 2004 |
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| Langdale, Lake District, October 2005 |
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Wrynose Pass, Lake District, October 2005 |
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| Lake Windermere, Lake District, October 2005 |
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River at Betws-y-Cod, North Wales,
October 2006 |
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| Pasa Tonale, Italy, March 2002 |
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| On the beach at Polichrono, Halkidiki, July 2003 |
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| Fairy Glen, North Wales, October 2006 |
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| The Trossachs, Scotland, April 2002 |
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The river at Monymusk, Aberdeenshire, September 2002 |
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| Hedgerow sketch |
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| back to top of page |
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| back to gallery one |
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